Teaching is central to who I am, not just what I do. What fascinates me the most is the power of music to build class community and facilitate learning.
I am passionate about musical hermeneutics, including topic theory. I am drawn to exploring what elements make a musical work expressive and communicative.
Writing program notes helps me connect with broader audiences. I also organize engaging talks about opera for specific audiences.
Starting with performance, I found my love for music theory through the piano, which I use as my main way to analyze music. It reflects who I am and guides my research.
I am a pianist and graduate student in music theory. My current research focuses on hermeneutic analysis, with a special focus on topic theory applied to nineteenth-century repertoires. I have also been interested in the analysis of performance practices and the expression of musical meaning in instrumental music, taking in a number of aspects including exchanges between the score, the performer’s embodiment, and their expressive decisions.
Right now, I am preparing my doctoral dissertation with the provisional title “The Topical World of Johannes Brahms,” which will present an analytical methodology for Brahms’s chamber music based on topic theory as a way to situate the work’s significations historically and stylistically.
A few things I’m good at
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The secret of success
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The secret of success
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